Beyond the noise.
Royalty-free scores for film, advertising, and everything in between — licensed by stock libraries around the world.
Beyond the Noise is the catalogue of a single composer: cinematic scores, ambient textures, and electronic works for film, advertising, and media — licensed through stock libraries worldwide. Every cue is written, produced, and mixed by hand, and delivered broadcast-ready.
Selected
works
“We dropped his track into the cut and the whole film changed. That almost never happens with library music.”
“William’s cues are the ones our clients keep coming back to. Fast, beautifully mixed, zero drama.”
“The rare composer who understands both the edit and the emotion.”
William Koch
William grew up in South Africa, where music arrived early and never left — a second-hand upright piano, church-hall harmonies, and long drives with the radio doing most of the talking. He was writing his own pieces before he could name the chords he was playing.
Today he composes from the island of Mauritius, in a small studio overlooking the Indian Ocean — writing, producing, and mixing every cue himself in Logic Pro, then releasing the work through stock libraries to editors and filmmakers around the world.
The name of this place says the rest. In a market flooded with filler, the goal has never changed: make music that rises beyond the noise.
Common questions
Every track is available through the stock music libraries where it’s published. Search for it there, buy the license that fits your project, and you’re covered — royalty-free, worldwide, forever.
You pay once for the license, then use the music within its terms without owing ongoing royalties per view, broadcast, or copy. It does not mean the music is free — it means no meter is running.
Yes — a standard license covers online video, podcasts, and social content. Keep your license receipt; it clears any automated content claims quickly.
Most tracks ship with 60- and 30-second cuts and seamless loops. Full stems and alternate mixes are available on request — just get in touch.
Yes. Custom cues are typically turned around in days, not weeks — scored to picture if you have one. Email a brief and a deadline, and you’ll hear back within 24 hours.
Stay in the loop
New tracks, license drops, and the occasional note from the studio. No noise — that would be unprofessional.